19 March 2013
13 March 2013
/ i've loved marina abramovic's work for as long as i can remember. last fall at moma i saw a documentary featuring her life, work, and her 2010 retrospective at moma after which the documentary is named -- 'marina abramovic: the artist is present'
the documentary was fantastic. i left feeling invigorated, empowered, and hopeful. i remember crying in the theater at various parts, especially during the clip i posted above. there is a long back story to it, but marina had a long-time relationship with another artist with whom she collaborated with and did performances with for over 20 years. they broke it off following their final performance piece together, aptly called 'the lovers - the great wall walk' in which they both started walking towards each other from the ends of the great wall of china and met in the middle after 3 months of walking.
during marina's retrospective, ulay came to the exhibition without marina knowing and sat across from her. the raw emotion is so overwhelming to me as an outside observer, i can't imagine what either of them is actually feeling inside. the expressions on their faces and within their eyes says it all.. it's like they are having a silent conversation with just eye contact and emotional gestures.. one of the most beautiful things
08 March 2013
/ special thanks to my friend chris gampat of the phoblographer for featuring my work in a beautifully written article on his blog today! check it out HERE
and happy friday everyone xx
22 February 2013
17 February 2013
20 January 2013
30 November 2012
'the inner freedom from the practical desire, the release from action and suffering, release from the inner and the outer compulsion, yet surrounded by a grace of sense, a white light still and moving, erhebung without motion, concentration without elimination, both a new world and the old made explicit, understood in the completion of its partial ecstasy, the resolution of its partial horror. yet the enchantment of past and future woven in the weakness of the changing body, protects mankind from heaven and damnation which flesh cannot endure. time past and time future allow but a little consciousness. to be conscious is not to be in time but only in time can the moment in the rose-garden, the moment in the arbour where the rain beat, the moment in the draughty church at smokefall be remembered; involved with past and future. only through time time is conquered.'
/ from section ii of 'burnt norton' from ts eliots 'four quartets'
25 November 2012
14 November 2012
'time present and time past
are both perhaps present in time future
and time future contained in time past.
if all time is eternally present
all time is unredeemable.
what might have been is an abstraction
remaining a perpetual possibility
only in a world of speculation.
what might have been and what has been
point to one end, which is always present.
footfalls echo in the memory
down the passage which we did not take
towards the door we never opened
into the rose-garden. my words echo
thus, in your mind.'
are both perhaps present in time future
and time future contained in time past.
if all time is eternally present
all time is unredeemable.
what might have been is an abstraction
remaining a perpetual possibility
only in a world of speculation.
what might have been and what has been
point to one end, which is always present.
footfalls echo in the memory
down the passage which we did not take
towards the door we never opened
into the rose-garden. my words echo
thus, in your mind.'
/ excerpt from ts eliots 'the four quartets' from section I: burnt norton
11 November 2012
06 November 2012
03 November 2012
Subscribe to:
Posts (Atom)

















































